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Sachsman, D. B. and D. W. Bulla (eds.) Sensationalism: Murder, Mayhem, Mudslinging Scandals and Disasters in 19th-Century Reporting (New Brunswick, NJ: Transaction Publishers 2013).

Salisbury, D., Elephant’s Breath and London Smoke (Neustadt: Five Rivers, 2009).

Sample, I., ‘Van Gogh Doomed his Sunflowers by Adding White Pigments to Yellow Paint’ в: Guardian (14 Feb. 2011).

Samu, M., ‘Impressionism: Art and Modernity’ Heilbrunn Timeline of Art History (Oct. 2004).

S?nchez, M. S., ‘Sword and Wimple: Isabel Clara Eugenia and Power’, в: A. J. Cruz and M. Suzuki (eds.), The Rule of Women in Early Modern Europe (Champaign, IL: University of Illinois Press 2009), с. 64–79.

Savage, J., ‘A Design for Life’ в: Guardian (21 Feb. 2009).

Schafer, E. H., ‘Orpiment and Realgar in Chinese Technology and Tradition’ в: Journal of the American Oriental Society, Vol. 75 No. 2 (Apr. — June 1955), с. 73–80.

Schafer, E. H., ‘The Early History of Lead Pigments and Cosmetics in China’, в: T’oung Pao Vol. 44, No. 4 (1956), с. 413–438.

Schauss, A. G., ‘Tranquilising Effect of Colour Reduces Aggressive Behaviour and Potential Violence’, в: Orthomolecular Psychiatry, Vol. 8 No. 4 (1979), с. 218–221.

Schiaparelli, E., Shocking Life (London: V&A Museum, 2007) — в отечественном издании: ЭльзаСкиапарелли. Моя шокирующая жизнь. М.: Этерна, 2008.

Schwyzer, P., ‘The Scouring of the White Horse: Archaeology, Identity, and «Heritage»’ в: Representations, No. 65 (Winter 1999), с. 42–62.

Seldes, A., J. E. Buruc?a, G. Siracusano, M. S. Maier and G. E. Abad, ‘Green, Yellow and Red Pigments in South American Painting, 1610–1780’, в: Journal of the American Institute for Conservation, Vol. 41, No. 3 (Autumn/Winter 2002) с. 225–242.

Sherrow, V., Encyclopedia of Hair: A Cultural History (Westport, CN: Greenwood Press, 2006).

Shropshire Regimental Museum, ‘The Hong Kong Plague, 1894–1895.

Silverman, S. K., ‘The 1363 English Sumptuary Law: A Comparison with Fabric Prices of the Late Fourteenth Century.’ Graduate thesis for Ohio State University (2011).

Slive, S., ‘Henry Hexham’s «Of Colours»: A Note on a Seventeenth-Century List of Colours’ в: Burlington Magazine, Vol. 103, No. 702 (Sept. 1961), с. 378–380.

Soames, M. (ed.), Winston and Clementine: The Personal Letters of the Churchills (Boston, MA: Houghton Mifflin, 1998).

Sooke, A., ‘Caravaggio’s Nativity: Hunting a Stolen Masterpiece’, BBC.com (23 Dec. 2013).

Stamper, K., ‘Seeing Cerise: Defining Colours in Webster’s Third’, в: Harmless Drudgery: Life from Inside the Dictionary (Aug. 2012).

Stanivukovic, G. V. (ed.), Ovid and the Renaissance Body (University of Toronto Press, 2001).

Stanlaw, J. M., ‘Japanese Colour Terms, from 400 ce to the Present’, в: R. E. MacLaury, G. Paramei and D. Dedrick (eds.), Anthropology of Colour (New York: John Benjamins, 2007), с. 297–318.

Stephens, J. (ed.), Gold: Firsthand Accounts from the Rush that Made the West (Helena, MT: Twodot 2014).

Stewart, D., ‘Why a «Nude» Dress Should Really be «Champagne» or «Peach»’, в: Jezebel (17 May 2010).

Stone, G. C., A Glossary of the Construction, Decoration and Use of Arms and Armor in All Countries and in All Times (Mineola, NY: Dover Publications 1999) — в отечественном издании: ДжорджКамеронСтоун. Оружие и доспехи всех времен и народов. М.: Кладезь: АСТ: Астрель, 2008.

Summer, G. and R. D’Amato, Arms and Armour of the Imperial Roman Soldier (Barnsley: Frontline Books, 2009) — в отечественном издании: РафаэллеД’Амато. Воин Рима. Эволюция вооружения и доспехов 112 г. до н. э. — 192 г. н. э. М.: Эксмо, 2012.

Summers, M., The Werewolf in Lore and Legend (Mineola, NY: Dover Occult, 2012).

Swigonski, F., ‘Why was Absinthe Banned for 100 Years?’ (Mic.com, 22 June 2013).

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